Statement
May 12, 1951-October 10, 2009
Carl Planksy, artist, teacher, paint maker, was a resident of East Meredith and Brooklyn, NY. Born in Miami Beach, Carl moved to New York in 1970 to attend Hans Hofmann's New York Studio School. He also studied with artist Joan Mitchell, a close personal friend and strong influence on his work. His paintings are drawn from direct observation, and revel in pitch-perfect color, compositional elegance, and highly expressive brushwork. Also a respected and influential teacher, he guided students at many institutions, including a return to the New York Studio School from 2004 to the present. Forever dedicated to the craft of oil painting, he began making small batches of handmade paint in the 1980s for himself and artist friends. This would eventually become Williamsburg Oil Paint, now widely regarded as one of the premier oil paint makers in the world and used by some of the most respected artists working today. Carl believed the only life worth living was based in salvation through individualism. Throughout his life, Carl was intensely committed to the honest, almost cathartic, personal expression found through paint, an idea often at odds with contemporary art world trends. It was a position he found equally frustrating and empowering, as he said recently, "the art world is cool and hip. [I am] too hot and passionate." At the time of his death, Carl had become an esteemed and successful artist on his own terms, without compromise or regret.
Bio
Carl Plansky was born in Miami Beach, Florida in 1951.
Education
- 1970-71; 74-76
- New York Studio School
- 1969-70
- Maryland Institute College of Art
Selected Solo Exhibitions
- 2004
- Oil Paintings, Fischbach Gallery, New York
- 2002
- Still Life, Fischbach Gallery, New York
- 2001
- Carspecken-Scott Gallery, Wilmington, Delaware
- 2000
- Cooperstown Art Association, Cooperstown, New York
- Bangs Street Gallery, Provincetown, Massachusetts
- 1999
- The Gallery at R and F, Kingston, New York
- Carspecken-Scott Gallery, Wilmington, Delaware
- Bangs Street Gallery, Provincetown, Massachusetts
- 1998
- Hobart and William Smith College, Geneva, New York
- Recent Works, Perugia, Italy
- 1996
- Hobart and William Smith College, Geneva, New York
- Carspecken-Scott Gallery, Wilmington, Delaware
- 1994
- 55 Mercer Gallery, New York
- Lyons-Weir Gallery, Chicago, Illinois
- 1993
- 55 Mercer Gallery, New York
- Carspecken-Scott Gallery, Wilmington, Delaware
- 1992
- 55 Mercer Gallery, New York
- Hobart and William Smith College, Geneva, New York
- 1990
- Carspecken-Scott Gallery, Wilmington, Delaware
- 1989
- Carspecken-Scott Gallery, Wilmington, Delaware
- 1988
- Carspecken-Scott Gallery, Wilmington, Delaware
- 1981
- Postgraduate Center of Psychoanalytical Research, New York
- 1980
- Wesbeth Gallery, New York
Selected Group Exhibitions
- 2005
- 40 Years Of The New York Studio School. curated by Jennifer Samet
- 2005
- New Artists, Elder Gallery, Charlotte, NC
- 2004
- The Still Life, Fischbach Gallery, New York
- 2003
- Hothouse: Contemporary Flora. New York Academy of Science, New York
- Peace, Sideshow, Brooklyn, New York
- 2001
- New York Painters, Cooperstown Art Association, Cooperstown, New York
- Artists on the Edge, Yeshiva University Museum, New York
- 2000
- Artists on the Edge, University of New Mexico, Santa Fe
- 1998
- Five New York Artists, Cooperstown Art Association, Cooperstown, New York
- 1997
- Landscapes, The Painting Center, New York
- Nude Figuration, The Painting Center, New York
- 1996
- Artworks, Basilico Fine Arts, New York
- 1995
- Thirty Years of Drawing, New York Studio School, New York
- Renee Fatouhi, New York
- 1994
- Landscapes, Apex Gallery, New York, Michael Toledo, curator
- Pages, 450 Broadway, New York
- American Abstraction: A New Decade, Southern Alleghenies Museum Of Art, Loretto, Pennsylvania
- Art Discover ‘94, Cooperstown Art Association/Smithy Pioneer Gallery, Cooperstown, New York
- Matter Matters, Bard College, Annandale-on-Hudson, New York, Ellen K. Levy, curator
- 1993
- Preview Show, The Painting Center, New York
- Figuration ‘93, 55 Mercer Gallery, New York, Susanna Coffey, Curator
- Abstracted Reality, Tibor de Nagy Gallery, New York
- Thick and Thin, Islip Arts Museum, Islip, New York
- Alumni Show, New York Studio School, New York
- 1992
- Painters, Trenkmann Gallery, New York
- Large Drawing, 450 Broadway Gallery, New York
- Trees, Geoffrey Young Gallery, Great Barrington, Massachusetts
- Sasama Gallery, Chicago, Illinois
- Alumni Show, New York Studio School, New York
- 1991
- Carspecken-Scott Galleries, Wilmington, Delaware
- 1990
- Alumni Show, New York Studio School, New York
- 1989
- Positive I.D., Northern Alleghenies Museum, Pennsylvania
- Carenga-Foxley-Leach Gallery, Washington, D.C.
- 1987
- Jack Tilton Gallery, New York
- Wilkov-Goldfeder Gallery, New York
- Jack Tilton Gallery, New York
- 1986
- 50 at 50 West, 50 West Gallery, New York
- Jack Tilton Gallery, New York
- Lever-Meyerson Gallery, New York
- 1984
- Lucky Strike Gallery, New York
Teaching Experience
- 2005
- Vermont Studio Center, Johnson VT, Guest teacher/Lecturer
- 2004-2005
- New York Studio School, Painting Instructor
- 2000-2005
- Maryland Institute College of Art, Professor of Painting
- 2000
- Art Institute Of Chicago, Visiting Artist
- 1999
- Maryland Institute College of Art, Professor of Painting
- Oxbow School of Art, Art Institute of Chicago, Professor of Painting
- Hoffberger School, Maryland Institute College of Art, Visiting Critic/Lecturer
- 1998
- Vermont Studio Center, Johnson, Vermont, Guest Teacher/Lecturer
- Bennington College, Visiting Teacher
- Smith College, Visiting Teacher
- Mid-American College Art Association, Lexington Kentucky
- 1997
- Smith College, Visiting Teacher
- Hoffberger School, Maryland Institute College of Art, Visiting Teacher/Lecturer
- 1996
- Bard College, Visiting Lecturer
- Oxbow School of Art, Art Institute of Chicago, Professor of Painting
- Hoffberger School, Maryland Institute College of Art, Visiting Critic/Lecturer
- Northwestern University, Evanston Illinois, Visiting Lecturer
- Art Institute of Chicago, Artist in Residence
- 1995
- Harvard University, Cambridge, Massachusetts, Visiting Teacher/Lecturer
- Smith College, Northampton, Massachusetts, Visiting Teacher/Lecturer/Critic
- Hoffgberger School, Maryland Institute College of Art, Visiting Teacher
- Bennington College, Vermont, Visiting Teacher
- 1994
- Fashion Institute of Technology, New York, Visiting Lecturer
- State University of New York at Purchase, Visiting Lecturer
- Bard College, Annandale-on-Hudson, New York, Visiting Lecturer
- Oxbow School of Art, Art Institute of Chicago, Professor of Painting
- 1993
- School of the Art Institute of Chicago, Lecturer
- Parsons School of Art Graduate Program, New York, Visiting Critic
- The Cooper Union, New York, Visiting Critic
- 1992
- Hobart and William Smith College, Geneva, New York, Visiting Lecturer
- Oxbow School of Art, Art Institute of Chicago, Professor of Painting
- The Cooper Union, New York, Visiting Critic
- 1990
- Guild Hall, East Hampton, New York, Lecturer
Press
Selected Bibliography
- Balazs, Eszter. “Land Of Light And A Lack Of Cynicism”, The Budapest Sun, September, 2005
- Perl, Jed. “The Beauty Trap”, The New Republic, November, 2004
- Art listings review, New York Times, January 19, 2003.
- Esplund, Lance. “Carl Plansky At Fischbach Gallery”, Art In America, 2003
- Perl, Jed. Eyewitness: Reports From an Art World in Crisis, New York: Basic Books, 2000.
- Maronate, Jan. “Reseaux de partage de saviors techniques et practiques artistiques: la conception et l’appropriation par les artistes des mediums synthetiques en Ameriques du Nord”, Techne, no.8 (1998)
- Solomon, Debra. “Ingredients for Success: Group Pigments and Linseed Oil”, The New York Times, September 23, 1998.
- Cooper, Michael. “A Mix Master: His Art Lies in Paint Itself”, The New York Times, July 25, 1995
- Creevy,Bill. The Oil Painting Book, New York:Watson-Guptil, 1994.
- Perl, Jed. “Earth”, The New Republic, November 14, 1994.
- Savage, Tom. “Carl Plansky”, Cover Magazine, April 1993.
- Appearances (Spring 1992), reproductions (three pages)
- Perl, Jed. “Breakthrough, Idyll, Icon, Allegory”, The New Criterion, May, 1992.
- Perl, Jed. “The Art Nobody Knows”, The New Republic, October 19, 1992.
- Artists in New York, NHK Television, Tokyo, 1991.
- Enders, Alexandra. “Carl Plansky”, Art and Antiques, November 1990.











































